All trax were written, produced, engineered and recorded at Earthbound Studios. ℗ & © 1992 XL-recordings. Published by EMI/Virgin Music Publishing Ltd. Made in England. Distributed by Warner Music UK.
Samples used: Track 01: 'The Badman Is Robbin' by Hijack, 'What 'U' Waitin' '4'?' By Jungle Brothers Track 02: 'Shout' by Lulu. Track 03: 'Latoya' by Just Ice, 'Live The Life' by The Sindecut Track 04: 'Shelter Me' by Circuit, 'Made In 2 Minutes' by Bug Kahn & The Plastic Jam (All Crew sample), 'The Champ' by Mohawk. Track 05 'Hello Earth' by Kate Bush (intro) & 'Return of Captain Rock' by Captain Rock. Track 06: 'Mummy Should Know' From TV show 'Charly Says' Track 07: 'Chase The Devil' by Max Romeo, 'Critical Beatdown' by Ultramagnetic MC's, 'Homicide' by Shades Of Rhythm.
Track 08: 'I'm Riffin' by MC Duke. Track 09: BBC Radio Shipping Forecast & Michael Fish Weather Report. Track 10: 'Fire' by Crazy World Of Arthur Brown, 'Hard Times' by Pablo Gad, 'Sweet African Children (Live)' by Aswad Track 11: 'In The Jungle' by Just Ice, 'Can't Stop' by Plez This is original release.
Reissued release with Nimbus matrix can be found Reissued release with Technicolor matrix can be found Reissued release with Sonopress matrix can be found Reissued release with Arvato Digital Services matrix can be found Reissued release with another Nimbus matrix can be found. A testament to the carefree raving times. Unpretentious, a bit raw and rough on the edges, but the heaps of fun Liam obviously had while producing this album is radiating from every second.
Let's hyperspeed the beat, let's pitch up vocals, let's sample a kids' tv show, then let's sample some reggae as well. And what do you know - the result is a landmark in dance music, and an album that got many into electronic music. I still remember my amazement when I heard 'Everybody in the place' for the first time. One day, back in early 1992, I was reading a copy of 'Alternative Press' in which a wanker. No, he was a wanker, who ran a column typically berating electronic music came out guns firing on this album, making fun of the chipmunk vocals, arrangements, whatever else. Needless to say such criticism made me think the Prodigy were on to something, And they were!
While the vocals were occasionally annoying, this album burst at the seams with creativity, something which was in short supply in the rave scene at that very time.Where Liam and company went after that magical summer is your call but this album is a treasure for me. I bought this cd back when it was first released from central station records in the early nineties without really having any knowledge about the artists or the music at all. What I certainly did know was that I absolutely loved that sound.
I heard 'everybody in the place' on the radio and bought the single. Id never heard anything like it - was absolutely amazed at the energy and beats. That was about 15 years ago. I now own every single and every CD they ever released, however this one holds a special place in my heart as it was really the beginning of what was to become a real love for an amazing and groundbreaking dance music group. Im looking forward to seeing them perform again at the Big Day Out here in Australia. This amazing album was truly the kick start for me and many others i'm sure,although i first heard it in the summer of 1995.
The remarkable thing about the whole album in general,is that,with all its sampels of breaks,piano breakdowns,pitched up female voices and of course the ragga vocals,the funny thing is that,there is not an 'Amen' break sample to be heard in any track. All in all this album is the best CD, ever cross this earth it is the root off all styles,concerning the oldskool/jungle rave era. Today after 12 years of listening to this album,it still gives me goosbumps.each and every time i play it! Actually i played it, just an hour ago, and as it is titled 'The Experience',its truly is an experience even if one would play it 50 years later -Timeless! To bad The Prodigy thried muttering on after 'Music For The Jilted Generation'. Although there are some brilliant tracks on 'The Fat Of The Land', it cannot beat their two first albums, of which 'Experience' is very dear to me. I got this album from the library years after it was released (probably somewhere in 1994) and I almost want to keep it.
This was my first electronic album that I really loved. The cassette was in my walkman always for almost a year. The reason why this album is so good is that all the songs are very original and were never equalled. On top of that, the tracks on this album in my opinion express the joy Liam Howlett had while making them.
The melodies are fantasitic, as are the breakbeats and drums in all the songs. After hearing them 20 times you can still discover more tings and basslines interwoven with other layers.
![Prodigy albums Prodigy albums](/uploads/1/2/4/0/124019549/661879195.jpg)
This album definetely was my first experience in the electronic music world that I entered and haven't left so far!
Contents. Album information Apart from, who is responsible for all the compositions, out of the additional three members at that time, only provides contribution by performing the vocals on the last track. A wide variety of artists in the scene in the early 1990s are given respect and namechecked in the sleeve notes of the album, including, and.
Experience peaked at No. On 19 June 2001, an expanded edition of the album was released in the United States, featuring a bonus disc of remixes and. It was released in the United Kingdom seven years later on 4 August 2008 as Experience: Expanded, with a gold cover and two extra tracks.
Ashlar hatch pattern autocad jobs. Reception Professional ratings Review scores Source Rating B 5/5 9/10 Experience received very positive reviews upon its release. Gave the album 5 out of 5 stars, saying that it 'shows the Prodigy near the peak of their game from the get go' and stating that 'almost every song sounds like a potential chart topper'. Tom Ewing of commended the album as 'four-minute-warnings,. hyperactive ravey blasts which boasted genuine irreverence rather than learned attitude.' Credited Experience with changing his perception about dance albums; previously he felt that 'dance albums had always failed. because they didn't work over the full length of the record. Mostly they were singles collections which was exactly what I didn't want to do,' and noted that Experience 'impressed me because they'd managed to create a full listening experience which encompassed various styles.
This was the kind of vision I had for my unmade.' Track listing All tracks written. Title Length 1. 'Music Reach (1/2/3/4)' 4:12 3. 'Your Love' (Remix) 5:30 5. 'Hyperspeed (G-Force Part 2)' 5:16 6. Magic ntfs recovery 1.0 crack.
' (Trip into Drum and Bass Version) 5:12 7. 'Weather Experience' 8:06 10. ' (Sunrise Version) 4:57 11. 'Ruff in the Jungle Bizness' 5:10 12. 'Death of the Prodigy Dancers' (Live) 3:43 Experience Expanded disc 2 No. Title Length 1.
'Your Love' (from 'Charly' single) 6:02 2. 'Ruff in the Jungle Bizness' (Uplifting Vibes Remix; from 'Out of Space' single) 4:16 3. 'Charly' (Alley Cat Remix; from 'Charly' single) 5:21 4. 'Fire' (Edit; from 'Fire/Jericho' single) 3:24 5. 'We Are the Ruffest' (from 'Wind It Up' single) 5:18 6.
'Weather Experience' (Top Buzz Remix; from 'Wind It Up' single) 6:53 7. 'Wind It Up (Rewound)' (from 'Wind It Up' single) 6:21 8. 'G-Force, Pt. 1 (Energy Flow)' (from 'Everybody in the Place' single) 5:23 9. 'Crazy Man' (from 'Everybody in the Place' single) 4:05 10. 'Out of Space' (Techno Underworld Remix; from 'Out of Space' single) 4:44 11.
'Everybody in the Place' (Fairground Remix; from 'Everybody in the Place' single) 5:07 Experience Expanded disc 2 UK bonus tracks No. Title Length 12. 'Android' (from EP) 5:04 13.
Retrieved 22 January 2012. ^ Bush, John. Retrieved 22 January 2012. Christgau's Consumer Guide: Albums of the '90s. Retrieved 22 January 2012.
'The Prodigy: Experience'.: 54. 1 August 1993.
'The Prodigy: Experience'. September 2008. 'The Prodigy: Experience'.: 83.
Prodigy Albums
Like a runaway E-train peppered with proto-jungle breakbeats, euphoric piano, fairground keyboards and manic vocal samples, all forged by studio mastermind Liam Howlett. Howe, Rupert (November 1992).
'The Prodigy: Experience'. (September 2001). Retrieved 22 July 2017. Ewing, Tom (10 November 1999). Retrieved 7 January 2017.
. Nom de l'album The Prodigy - Essential Collection. Genre Description Albums 01.
Experience (Expanded) (2001-2008 Remastered) (UK XLCD266) 02. More Music For The Jilted Generation (2008) (UK XLCD267) 03. The Fat Of The Land (2012 Expanded Edition) (UK XLCD586) 04. The Dirtchamber Sessions Vol 1 (1999) (UK XLCD128) 05. Always Outnumbered, Never Outgunned (2004) (Japan SRCP373) 06. Their Law (The Singles 1990-2005) (Japan SRCP3946) 07.
The Prodigy Experience Album
Invaders Must Die (2009 Warrior's Dance Fest Edition) (Japan VICP647634) Singles 08. Charly 1991 CD Single (UK XLS21CD) 09. Everybody In The Place 1992 CD Single (UK XLS26CD) 10.
Fire - Jericho 1992 CD Single (UK XLS30CD) 11. Out Of Space 1992 CD Single (US Elektra 2-66346) 12. Wind It Up (Rewound) 1993 CD Single (US Elektra 66319-2) 13.
One Love 1993 CD Single (UK XLS47CD) 14. No Good (Start The Dance) 1994 CD Single (UK XLS51CD) 15. Poison 1995 CD Single (UK XLS58CD) 16. Voodoo People 1995 CD Single (US Mute 7007-2) 17. Firestarter 1996 CD Single (UK XLS70CD) 18. Breathe 1996 CD Single (UK XLS80CD) 19. Smack My Bitch Up 1997 CD Single (Japan AVCM-65038) 20.
Baby's Got A Temper 2002 CD Single (US Maverik 942456-2) 21. Girls 2004 CD Single (UK XLS195CD) 22. Hotride 2004 CD Single (US Maverick PRO-CDR-101411) 23. Spitfire 2005 CD Single (UK XLS213CDE) 24. Voodoo People - Out Of Space 2005 CD Single (UK XLS 219CDA) 25. Lost Beats 2009 CD Single (UK HOSPBOX00CD) 26. Omen 2009 CD Single (Japan VICP-35109) 27.
Warrior's Dance 2009 CD Single (Japan VICP 35110) 28. Take Me To The Hospital 2009 CD Single (EU HOSPCDS05PXX) 29. Invaders Must Die 2009 CD Single (UK HOSPCDS06).